There is an old adage that says, “You Have To Crawl Before You Can Walk.” Well for an actor, you have to get the callback before you can book. Most actors know the deal with auditions. If you fit the type and can get through the sides, they’ll want to see more of you. What about the callback? How can you take the casting director’s mild interest and turn into a burning fire of intrigue and wanting? Although there is no exact science to this, but there are some general things that casting directors might be looking for on that second meeting.
A Hot Date
The callback is like a first date after you’ve met someone out at a bar. The casting director has decided that your opening lines were worth a more intimate meeting, so now you just have do enough to kick the relationship off. Be a hot date. Take some chances, don’t be afraid to stand out. Whatever they’re casting you for, be it a major motion picture, a television gig or a regional commercial, they want someone to pop. Be memorable.
A Confident Attitude
If you don’t book, you could be getting evicted. You know this; make sure the casting director doesn’t. Put your focus on the work and not on the stakes, no matter what they might be. This, of course, is much easier said than done, but it has to be pulled off. Remember that you need them contemplating not only the positives of booking you, but the negatives of passing. To accomplish that, you’ll need mastery over your scene study and your nerves.
The Frank Sinatra Component
Ah, Frankie, the Chairman of the Board. We could all use a little of his essence. That’s what you need. You need to be able to roll with anything they throw at you. Things run a little late, stay cool. They ask you to come in a little early, be cool. Whatever they ask, stay cool. If you’re English accent sucks and they ask you to try it, don’t make an issue, just try to fail with a little swagger and humor. Make sure they know that you’re a pro, one that you can handle anything they throw at you. This is an unbelievably valuable thing to have on set. Set is a place where even the tiniest idiosyncrasies can turn toxic and blow up morale, making versatile and easy going talent an essential component to a smooth shoot. Show them you’re the one who can handle the cold days, the rainy days and the drunken director days. Stay Cool.
Take those three arrows and put them in your actor’s arsenal. Use them as weapons against the tyranny of unemployment and frustration. Good luck out there.








